A Holy Show by Janet Moran
A Holy Show written & directed by Janet Moran
on Tour in Ireland from Thursday 23rd January 202
The true story of a nostalgic comedy based on a very Irish hijacking
A new comedy based on the 1981 hijacking of an Aer Lingus plane, by an ex-Trappist monk, with a bottle of water as his weapon, the Pope as his nemesis, and a burning desire to know The Third Secret of Fatima. A nostalgic comedy based on a very Irish hijacking
Actress Janet Moran is stepping off the stage and going behind the scenes as writer and director of brand new comedy ‘A Holy Show’ – a play based on the 1981 hijacking of an Aer Lingus flight.
‘A Holy Show’ takes us back to 1981 and brings us on board the ill-fated Aer Lingus flight EI 164 from Dublin to London. The show follows the passengers and crew as this most Irish of hijackings unfolds – carried out by an ex-Trappist monk with a bottle of holy water as his weapon and a burning desire to know the Third Secret of Fatima.
‘A Holy Show’ marks Janet Moran’s solo writing and directing debut. Based on the incredible story of the hijacking, the show throws light on Ireland’s relationship with religious faith through warmth and humour.
Janet says she hopes audiences will find comedy as well as some moments to reflect on: “I want to make people laugh but to also challenge their ideas about religion and its place in civil society.”
This wonderful production is high energy and takes audiences on a whirl wind of a comic journey with both actors playing multiple characters at breakneck speed. The sharp, insightful script delivers a laugh a minute alongside a revealing and probing understanding of faith in Ireland, both in the 80’s and today.
Thurs 23-Friday 25-Sat 25 Jan Project Arts Centre, Dublin
Weds 29th Jan Town Hall Theatre, Galway
Fri 31st Jan & Sat 1st Feb Belltable Arts Centre, Limerick
Tues 4th Feb Dunamaise Arts Centre, Portlaoise
Weds 5th Feb Mermaid Arts Centre, Bray
Fri 7th Feb Ramor Theatre, Cavan
Sat 8th Feb GB Shaw, Carlow
Tues 11th & Weds 12th Feb Civic Theatre, Tallaght
Fri 14 & Sat 15th Feb Pavilion Theatre, Dún Laoghaire
Mon 17th – Thurs 20th Feb Everyman Cork
Fri 21st Feb Backstage, Longford
Sat 22nd Feb Draiocht, Blanchardstown
Thurs 27-Sat 29th Feb The Mac, Belfast
Wed 4th & Thurs 5th March Irish Cultural Centre, Paris
Supported by The Arts Council
Gloriously comic and unexpectedly thoughtful show….A Holy Show is, among other things, a time capsule of an earlier Ireland, that illuminates the distance between the past and its certainties, and the uncertain present. it’s funny, wise and expertly performed. Like Flight 164 itself, it carries you off to places you didn’t think it would go.
The List ✭✭✭✭
this is a very funny script that really really entertained the audience who lapped up this original piece of work.
This was performed with pin-point perfection
Edinburgh Reporter ✭✭✭✭
Janet Moran’s production deserves nothing less than admiration… injecting her own brand of heart and humour, she puts a truly imaginative spin on this nostalgic real-life adaptation.
The characters are well-written… which showcase a remarkable versatility…. they tease out both laughter and genuinely moving moments from the script
The Upcoming ✭✭✭✭
Airplane meets Hall’s Pictorial Weekly …Moy and Ennis delivering deeply enjoyable and impeccable performances… have you cracking a rib with laughter…. Only in Ireland could you get a hijacking this ridiculous. Or this hilarious. Or this much fun. The Arts Review ✭✭✭✭
Ennis and Moy are a dream team, and Moran has said that she managed to get the two best actors she knows for her writing debut. They physically inhabit each new character at breakneck speed making each one completely believable and unique. There is also an enviable creative team behind the scenes. The audience last night was completely enchanted by the play …Not to be missed. No More Workhorse
lovingly made, giddily nostalgic comedy….An enviable team of collaborators seizes every opportunity for embellishment, from earthy comic turns to absurd religious visitations to slick stage effects The Irish Times